Dusty, dirty, flat, and gritty... the photography of Stand Clear Of The Closing Doors has an unusually subdued and reserved use of color and contrast. I worked with director Sam Fleishner and dual cinematographers Ethan Palmer and Adam Jandrup to define the specific palette for the film which is a key ingredient of its raw aesthetic.
New York Times: "Stand Clear of the Closing Doors is as intense and indelible an immersion in the real New York as I have seen in a long time."
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