Working with longtime collaborator DP Wyatt Garfield and a first collaboration with Director Edson Oda, we built our show LUT around Kodak reversal stocks such as Ektachrome and Kodachrome, and loaded in camera during shooting giving Wyatt the ability to judge exposure and color precisely in camera.

Although the concepts of the film couldn’t be more abstract, we wanted the imagery to feel organic and analog. Vibrant, and magical, but to always feel like to magic of the images was happening in front of the camera and not behind it.